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'After images': impressions of the 'after' by South African performer-choreographer Namela Nyamza

Bibliographic Title: Mahali, A. (2015) After images: impressions of the after by South African performer-choreographer Namela Nyamza. In: Plastow, J., Hutchison, Y., Matzke, C. & Banham, M. (eds).Contemporary women. (African Theatre; Vol 14). Suffolk: James Currey. 41-53. http://hdl.handle.net/20.500.11910/9327 http://hdl.handle.net/20.500.11910/9327 http://hdl.handle.net/20.500.11910/9327
Output Type: Chapter in Monograph
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Rites of passage: separation, liminality and an initiation into being in Mamela Nyamza's hatched

Bibliographic Title: Mahali, A. (2016) Rites of passage: separation, liminality and an initiation into being in Mamela Nyamzas hatched. South African Theatre Journal. 29(44199):44210. http://hdl.handle.net/20.500.11910/10829 http://hdl.handle.net/20.500.11910/10829
Output Type: Journal Article
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