Decolonising the cultural landscape: preserving historical statues in Tshwane, South Africa

Abstract

The post-apartheid South African cultural landscape is characterised by complex and contradictory dynamics. On one hand, it is a space where ongoing contestations, anti-racist struggles, and resistance against dominant ideologies persist, challenging the prevailing ways of thinking and perceiving the public sphere. On the other hand, this landscape is also susceptible to political manipulation and serves as a battleground for various class interests, power struggles, and attempts to control the state apparatus. This article employs a decolonising gaze theory to examine qualitative data collected from the former Groenkloof Nature Reserve to shed light on the challenges associated with preserving historical statues and monuments. Additionally, it seeks to understand the motivations behind the construction of statues and monuments commemorating former struggle icons at Groenkloof, despite the obstacles encountered. The findings of this study reveal that the presence of Groenkloof statues and monuments is an integral part of an ongoing resistance movement and contestation of colonial history. These monuments serve as a means of reconciling the past and the present, facilitating connections and exchanges, while also exposing the ruptures, struggles, and complexities that continue to shape South Africa���s deeply intertwined history.