What it means to have 'personhood': women's visual productions and identities in South Africa: in discussion with Nadia Sanger

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dc.date.accessioned 2012-04-10 en
dc.date.accessioned 2022-08-17T18:21:54Z
dc.date.available 2022-08-17T18:21:54Z
dc.date.issued 2015-08-25 en
dc.identifier.uri http://www.hsrc.ac.za/en/review/march-2012/nadia-sanger en
dc.identifier.uri http://hdl.handle.net/20.500.11910/3443
dc.description.abstract As part of a post-doctoral Fulbright scholarship in the United States, I focused my project on the cultural productions of South African women of colour, and what they had to say about identity through their work. I moved from the premise that all identities are formed by the social context in which we find ourselves. As different components of our identities, gender, 'race', sexuality, culture, and ability, can therefore never be stable, or fixed. Instead, as feminist Judith Butler has noted, we are always changing; always in a process of becoming. en
dc.format.medium Intranet en
dc.subject WOMEN en
dc.subject IDENTITY en
dc.title What it means to have 'personhood': women's visual productions and identities in South Africa: in discussion with Nadia Sanger en
dc.type Journal Article en
dc.description.version N en
dc.ProjectNumber N/A en
dc.Volume 10(1) en
dc.BudgetYear 2011/12 en
dc.ResearchGroup Human and Social Development en
dc.SourceTitle HSRC Review en
dc.ArchiveNumber 7237 en
dc.URL http://ktree.hsrc.ac.za/doc_read_all.php?docid=12250 en
dc.PageNumber 8-9 en
dc.outputnumber 5884 en
dc.bibliographictitle Sanger, N. (2012) What it means to have 'personhood': women's visual productions and identities in South Africa: in discussion with Nadia Sanger. HSRC Review. 10(1):8-9. http://hdl.handle.net/20.500.11910/3443 en
dc.publicationyear 2012 en
dc.contributor.author1 Sanger, N. en


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