'After images': impressions of the 'after' by South African performer-choreographer Namela Nyamza

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dc.date.accessioned 2016-02-29 en
dc.date.accessioned 2022-08-17T16:01:29Z
dc.date.available 2022-08-17T16:01:29Z
dc.date.issued 2016-04-28 en
dc.identifier.uri http://hdl.handle.net/20.500.11910/9327
dc.description.abstract The after-image is primarily produced by memory and the imagination. It is the emotional or psychological recall/re-imagining of something that is not immediately present to the senses. Both19-Born-76-Rebels (2013) and Isingqala (2011) evoke after-images in considering South Africa's past alongside its present. This chapter examines what vestiges of the past remain in Nyamza's present lived experience, and specifically, in what images does the 'after' manifest itself in Nyamza's work.19-Born-76-Rebels recalls the Soweto Riots and massacre of 1976, focusing on the education black children received in that era. Nyamza uses after-images of her own black girlhood. en
dc.format.medium Print en
dc.publisher James Currey en
dc.relation.ispartofseries African Theatre; Vol 14 en
dc.subject SOWETO en
dc.subject CHOREOGRAPHERS en
dc.subject NYAMZA en
dc.subject MAMELA en
dc.subject APARTHEID en
dc.title 'After images': impressions of the 'after' by South African performer-choreographer Namela Nyamza en
dc.type Chapter in Monograph en
dc.description.version Y en
dc.ProjectNumber N/A en
dc.BudgetYear 2015/16 en
dc.ResearchGroup Human and Social Development en
dc.SourceTitle Contemporary women en
dc.SourceTitle.Editor Plastow, J. en
dc.SourceTitle.Editor Hutchison, Y. en
dc.SourceTitle.Editor Matzke, C. en
dc.SourceTitle.Editor Banham, M. en
dc.PlaceOfPublication Suffolk en
dc.ArchiveNumber 9045 en
dc.PageNumber 41-53 en
dc.outputnumber 7836 en
dc.bibliographictitle Mahali, A. (2015) 'After images': impressions of the 'after' by South African performer-choreographer Namela Nyamza. In: Plastow, J., Hutchison, Y., Matzke, C. & Banham, M. (eds).Contemporary women. (African Theatre; Vol 14). Suffolk: James Currey. 41-53. http://hdl.handle.net/20.500.11910/9327 en
dc.publicationyear 2015 en
dc.contributor.author1 Mahali, A. en

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